“As soloist, outstanding Basel concert guitarist Christoph Denoth showed true empathy for the Spanish tone colour, instrumental subtleties and technical finesse” (…) “impressively harmonious rendering by Denoth”
by Jeffrey Williams for New York Concert Review
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Jun 2019
In celebration of his newest CD release Tanguero: Music from South America (Signum Classics SIGCD 538), guitarist Christoph Denoth appeared in recital at SubCulture on June 10, 2019.
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by David Wright, New York, Classical review
GRAMOPHONE, William Yeoman
Sep 2018
Apr 2016
Celebrating Shakespeare at the Opera Foyer (Staatstheater Kasssel Germany)
ROBERT HUGILL - review of “Nocturnos de Andalucía"
Mar 2016
CLASSIC FM – review of “Nocturnos de Andalucía", By David Mellor,
Feb 2016
The ever versatile LSO also features on this exceptional album, where the London-based guitarist Christoph Denoth winningly mixes the familiar and the unfamiliar.
GRAMOPHONE – WILLIAM YEOMAN
Jan 2016
Sometimes a work’s ubiquity blinds us to its brilliance. Familiarity breeds – albeit amiable, cosy – contempt. Rodrigo’s Concierto de Aranjuez could be considered such a work.
RITMO, Musica Clàsica, CD review Ritmo Parada
An interesting programme which adds to the often recorded „Concierto de Aranjuez“ the extensive suite for guitar and orchestra in six movements by Lorenzo Palomo (Pozoblanco, Córdoba, 1938) „Nocturnos de Andalucía“, commissioned by Pepe Romero who world-premiered this piece under the baton of Frühbeck de Burgos in the year 1996.
CLASSICAL GUITAR MAGAZINE 2016
ROBERT HUGILL – review of “Homages”
May 2015
"all the works on the disc had great emotional appeal (…) and Denoth's performance certainly makes you want to dance"
INTERVIEW – Saturday, 28 February 2015
Feb 2015
The Swiss guitarist Christoph Denoth has a new album out, Homages (on the Signum Classics label), exploring Spanish guitar music written in homage to someone.
AMERICAN RECORD GUIDE - review of «Homages»
Jan 2015
THE NEW YORK TIMES - review of “Mister Dowland's Midnight”
"The melancholy, private lute music by John Dowland gets an infusion of fresh color in this recording by Christoph Denoth. Transposed to the modern guitar, the light-and-shadow contrasts of Dowland’s compositions become starker; the flights of counterpoint more brilliant. But it’s in the quietly meditative galliards that Mr. Denoth’s guitar sounds most lutelike."
GRAMOPHONE - review of “Mister Dowland's Midnight”
“Christoph Denoth is superbly placed to exploit the cantabile and colouristic properties of his instrument” (…) “beauty and power”
CLASSIC FM, THE NEW RELEASE SHOW - review of “Mister Dowland's Midnight”
"Well played… Makes a strong case for the music of Downland and show why we should stop overlooking him as a Great British composer."
THE NEW YORK CONCERT REVIEW INC
BASLER ZEITUNG
“On stage, Christoph Denoth and his instrument quite naturally became a single entity. ”
BADISCHE ZEITUNG
NICE MATIN, Sylvie Carbou
L’église Saint Grégoire a connu un beau moment de musique classique.
CLASSICAL SOURCE - review of Wigmore Hall recital
"music was bright and crisp under Denoth’s dextrous fingers" (...) “extremely enjoyable hour’s music"
BUENOS AIRES HERALD
PEPE ROMERO (Guitarist) on Christoph’s Carnegie Hall Recital
MARIO DI BONAVENTURA (Conductor, Festival Director and Music Publisher in Los Angeles)
He is one of the most accomplished guitarists of his generation
ROBERT HUGILL - review of Kings Place concert
vibrant voice complemented by Denoth's strong (and) (...) moving accompaniment." (...) I very much hope to see them again.
JUAN CARLOS TARIFA, Argentina
FRANCES WILSON - review of BBC Proms Chamber Music at Cadogan Hall
JENS NYGAARD, New York (conductor)